Trends are always a hot topic when working through interior design decisions with our clients. Wondering what will last for the next decade, what is going out of style, and what new ideas we can infuse to make a space uniquely theirs. With dozens of projects in our portfolio, we’ve learned a few things along the way and are sharing some design considerations that will transcend with time.
The next step is to choose one of the three paint colors as your wall color and to save the other two to be used around the room in fabric or furnishings.
To choose the colors for adjacent rooms, take the same original three color sample strips and select another color.
Finally, choose a fourth color that can be used as an accent: “Splash a little of that color into every room of the house—by way of a pillow or plate or artwork. It makes a connection between the spaces,” Krims says.
Once you have your colors in hand, consider the finish you’ll be using. Though today’s flat paints have increased stain resistance, conventional wisdom has long held that a satin (also called eggshell) finish is best for walls because it is scrubbable and doesn’t draw attention to imperfections. Semi-gloss and high-gloss finishes, it was thought, were best left to the trim, where they could accent the curves of a molding profile or the panels of a door.
Today, however, finishes are also being used to create visual effects on the entire wall. Paint one wall in a flat or satin finish and the adjacent wall in a semi-gloss, both in the same color, and “when the light hits the walls, it creates a corduroy or velvet effect,” says Doty Horn. Similarly, you can paint the walls flat and the ceiling semi-gloss to achieve a matte and sheen contrast. (The ceiling will feel higher the more light-reflective it is.) Keep in mind that the higher the gloss, the more sheen and the more attention you draw to the surface. Used strategically, color and gloss together can emphasize your interior’s best assets.
Colors evoke an emotional response. In general, cool colors (blues, greens, and clean whites) are perceived as restful and soothing while warm colors (like red, orange, and yellow) create a sense of drama and energy. Cool colors are calming in private rooms—like the ice-blue that covers the walls in this bath; warm colors are a good way to enliven social spaces.
The psychology of color is a minor obsession among paint professionals. Many say you should choose a color based at least in part on how a room is used and the mood you want to establish.
Keep in mind, when it comes to emotional effect, of course, one person’s welcome-home orange will be another person’s signal to scream.
Research done by Behr indicates that yellow can stimulate the brain, so it might be worth considering for rooms where homework is done; but avoid yellow in bedrooms, where the goal is generally to chill out. Instead, explore these calming colors in the bedroom to help you sleep better.
Whites come in a staggering variety. Pure, “clean” whites are formulated without tinted undertones. These are favored by designers looking to showcase artwork or furnishings and are often used on ceilings to create a neutral field overhead.
Most other whites are either warm—with yellow, rust, pink, or brownish undertones—or cool, with green, blue, or gray undertones. Behr’s Mary Rice says: “Use warmer whites in rooms without a lot of natural light, or to make larger spaces seem cozier.”
Cool whites, by contrast, can help open up a space. Test several at once to see which one works best with the other colors at play in the room.
Trends are always a hot topic when working through interior design decisions with our clients. Wondering what will last for the next decade, what is…
What is color psychology? And why is it important in interior design? why is color so important in the psychology of interior design?...